Spinward Fringe: Strange Horizons and Close Encounters - It's Alive!

In the process of writing eight books in the First Light Chronicles and Spinward Fringe series, a lot of extra material has been generated.

So much, in fact, that the Spinward Fringe series has started to become a universe. While I was looking through the contents of the digital vault where I keep all the bits and pieces that get cast aside when I'm editing I realized that some of the material is actually quite good. Frontline, for example, had over 11,000 words cut and buried in those words are two pieces that could stand on their own. One of those pieces, Landing on Leeds, is featured as the first part of the Strange Horizons and Close Encounters serial.

Here's the full concept behind the series:

It's a place to tell peripheral and background stories that didn't fit in the books, and preview parts of the books that haven't been released and to tell stories about characters who are experiencing life in the universe in a very different way.

• It will be a free series.
  
• It's a living document! Meaning that you get more content by by re-downloading the file instead of downloading another eBook when each part is released. Instead of a bunch of little files mucking up your device, you'll have one bigger, changing file with a text index.
• Each part will be a short, spanning between 1,500 and 5,000 words.
• Some stories will be split into multiple parts.
• When the book reaches 100,000 words it will go to print and another living document will be created.
• Guest writers will eventually be welcome.
• There will be no Spinward Fringe big picture spoilers.
• Most of the series will be fresh material that does not appear anywhere else.
• At least two parts will be available per month unless the project ends or something else comes up, in which case everyone will have fair warning.
• The story lines will be named. For example: the serialized story line starting in August is called the Nerine storyline.
• Some of the pieces will be stories from different characters' histories, such as Frost's, Alice's or Oz's.
• This project won't interfere with work on the regular Spinward Fringe series. In fact, the first six parts are already finished.
• The quality of each piece will be the same as the work in the regular Spinward Fringe Series.
• This will be taking the place of the Dark Arts serial. I may eventually develop that story into a book unless there's enough reader support for the serial to continue, in which case I'll find time for it.
  

Without further delay, here's the link to Spinward Fringe: Strange Horizons and Close Encounters. This version is compatible with all readers. You'll find a short story about the arrival of the Holocaust Virus in the core world city of Leeds and a preview of the next Spinward Fringe Fracture book which does not spoil the story for anyone who hasn't read Spinward Fringe Triton or Frontline. Part one of the series is unrelated to this storyline.

Oh, and about the cover graphic. I can't claim credit for the elements of the piece, I only composed it, but you can certainly expect a visual upgrade on future Spinward Fringe covers. After celebrating a year of writing independently and earning a living it's time to take things up a notch. I hope you enjoy the new look! The artists are credited in the eBook.

RL

[What do you think of the living document concept?]

Spinward Fringe: Change Is Coming

There are a number of people wondering where yesterday's free Spinward Fringe short was. It's running late.

I won't give you excuses, that's not how I work. Instead I'll tell you why.

Yesterday I got a call from my lead Editor and she told me Spinward Fringe Fracture is the best book in the series.

It was staggering news.

It also validated a few decisions I've made about what I'm going to do with the Spinward Fringe universe. Sadly, that also meant I needed another day or two for preparations before I released anything. That's why the first free content for the Spinward Fringe universe is delayed.

There is a lot of exciting news coming up if you're a reader, and many changes for the better are being made.

Over the next two weeks I'll be addressing a lot of topics on this blog including:

A new approach to cover art.
Treating the books like cinematic features
Spinward Fringe: Strange Horizons & Close Encounters
The Spinward Fringe: Fracture release
The Spinward Fringe Trailer
What happened with the SyFy Channel "Your Next Space Opera Is Here" campaign.
And other topics that I'm not ready to list.

Tonight Spinward Fringe: Strange Horizons & Close Encounters launches and I'll explain exactly what that is.

Thank you for coming with me on this journey. Your support is the reason why this series has come this far and I'm proud to entertain you. Now it's time to take things to the next level.

RL

A Word On Genre

This blog post started as I was responding to this blog post by KM Weiland entitled: Why Genre Writing Could Kill Your Career.

I suggest you give the post a read before continuing on here, but in case you're pressed for time, I'll sum up the controversy that genres pose to authors and then to readers.

Authors who genre write may be pigeon holed, that is, being known as "that scifi writer" or "that fantasy writer" and not seen as being capable of, or interested in writing in other genres. Publishers often expect a different level of sales for each genre, so if someone like me is published in the science fiction genre (which doesn't sell as much as say, mystery or romance), I'll be paid less than a pure romance genre writer if I decide to write a romance novel because I'm not known in the genre and my last science fiction book may have sold well for its genre, but not well compared to the average romance novel. Thus, many cross genre writers use a different pen name for each genre. (I use L.S. Randolph for horror, for example).

Authors sometimes have great difficulty selling a book outside of their normal genre as well. The perception is that readers won't buy a mystery novel from "that SciFi guy". I've only seen it once, but large publishers and two agents I've spoken to say they see it all the time.

Genres also come with stereotypes that aren't always false. For example, Science Fiction space novels (especially Space Opera), are often considered trashy or cliche paperback books by people who don't read them. That's partially thanks to the old science fiction publishers from the 50's to 80's who would pay writers to churn out books that fit that stereotype perfectly. Readers who purchase the wrong Space Opera novels can end up with over used plots and cardboard characters. The same goes for romance, the noir subgenre of mystery or practically any other genre where a number of publishers have found what they think "delivers on reader's expectations." I cringe at the term. If that's all I was here for, I may as well have stayed in customer service, answering phones for a great big company who didn't much care about doing more than they had to in order to "deliver on customer's expectations." It paid better.

Here's what I had to say about my current place on genre writing:

I have at least a fair understanding of how common cliché's in genre fiction are. The bulk of my work over the last twenty months has been in the science fiction sub-genre of Space Opera.

I see the genre bracketing as a challenge, however, and strive to create an experience for my readers that includes creative takes on what may have been done before, something that hasn't been done before, while giving them POV characters that they can relate to on some level and are on believable, emotional journeys. It's not easy, but it's a pretty enjoyable task when things start going right.

The genre gives me a default audience, which is both a blessing and a curse. I've been at the top of Mobipocket's science fiction listing for nearly a year http://bit.ly/jYoLZ and that gives my new releases a boost, but crossing genres is still difficult if you're not in the general top 10 category wide. I love SciFi fans, especially my readers, but I get a special charge when someone who doesn't read SciFi enjoys my work.

I have more to say on this topic, so I'll blog about it on my own space and not take up more of yours! www.spinwardfringe.com

Thanks for bringing this topic up K.M. Weiland... just look what you did... *wink

--- End Comment

To expand on that a little, I have to add that I self publish. Now I self publish by choice, having turned down at least one very real, very bad publisher's offer. I'm not interested in my Spinward Fringe series being boiled down for a broader audience. I'm not interested in writing by formula so everything I do simply "delivers on reader expectations". In case you were wondering, the publisher who made the offer wanted a formula Space Opera, they went as far as to come out and say so. Like I stated above, I want to push. I want to try new ideas, new writing styles, new characters with new voices and I want to surprise my readers with something they don't expect.

That's where genres hurt us, they make it easier for readers to walk on by a whole section of the brick and mortar or online book store when their next great adventure or drama could be somewhere in the middle. They could be missing out, because within every genre there is a gem for everyone.

Reader reviews are the best guide in my opinion. When I'm looking for a new read, especially in a genre I don't normally shop in, I look at the user reviews first. When I see someone say; "I don't normally read this genre, but this book was fantastic," I know the book is worth a closer look.

RL

Thanks for opening that can of worms K.M.Weiland, it was a bit of fun!

[Does making books easier to find make up for the genre stereotypes?]

Spinward Fringe: Things are happening...

Spinward Fringe: Fracture is on its way to the editors and I'll soon hear back on the worthiness of the book.

I enjoyed writing the piece and I'm looking forward to working on the next one after any required polishing or massaging on Fracture is finished.

The first part of the Dark Arts series is finished, but that doesn't mean that Tuesday won't be free content day on this site for a while. There's a scene that didn't fit into Spinward Fringe Frontline or Fracture, and it involves a character that will eventually become closely involved with big picture events. I'll be making this scene available on www.spinwardfringe.com for free on Teusday, August 25.

There are two other Spinward Fringe segments planned for release after the first. To be honest, I don't have any other free releases planned after, that, but you never know.

As for Dark Arts, so far I've recieved a little positive feedback, sold three copies of the eBook and received a donation of $5.00. Thank you very much for your support on this very little known piece. At this point I'm starting to consider expanding the piece into a full length novel but there's very little chance of continued serialization unless support picks up. It was a fantastic experiment and I've learned a lot from the feedback and other results I've seen. It seems the readers have spoken, and though a few people were well entertained, you all seem to prefer science fiction.

I'm looking forward to releasing the Spinward Fringe free content and to the release of Spinward Fringe Fracture. I'll announce the release date of Fracture as soon as I can reliably establish one. I'm enjoying the Fringe these days, and more people are joining the crew every day.

It's a good time to be a Fringer...

RL

From Fringe To Fright: The Dark Arts Experiment

Two months ago I finished an edit of Dark Arts: Rising, the first part of a potential horror serial that was based on the concept of a dark resurrection changing the world. It was a short, 15,000 word piece that presented a fantastic creative challenge. Horror.

Horror writing has always been my kryptonite. I'll confess: in my twenties I wrote two very bad, very long horror novels. I even tried writing one by hand to see if I could somehow change my style for the better by avoiding typing. I got a stack of double spaced hand written pages four hundred deep that will never see the light of day. A crime against Bic pens and ruled paper.

Dark Arts: Rising has more potential and I'm happy to announce that, for better or worse, it's available for free at Smashwords for every kind of eBook reader you could imagine and on its very own blog page. If you're noticing this story late, then you're sort of lucky. Everyone else had to read it piece by piece as I released it over the last seven weeks. Something about serializing this work in particular was a lot of fun.

The story is set in 1996 and begins with a dark resurrection conducted by one, Zachary Ellison. Maxwell, a grumpy British occultist, has been on his trail for years and is one of the last members of a secret society. He does his best to counter the damage Zachary has done to the barrier between the spirit and corporeal worlds while trying to lay the ground work for a re-ignition of the occultist secret society charged with protecting the general populace from what goes wailing and rending in the dark.

If you enjoy reading this ditty and want more, show your support by posting a review on Smashwords or donating whatever you think its worth. It was a blast and total change of pace to write and it didn't slow down work on Spinward Fringe much at all.

RL

[Dark Arts: Rising at Smashwords] [The Blog Page]

[Have you read Dark Arts Rising already? What did you think?]

Spinward Fringe: Fracture - Early Editing

I've begun my editorial pass / possible final draft on Spinward Fringe: Fracture and it occurs to me that there are a few very important things about this book that I didn't mention before.

It's a shorter book than Spinward Fringe Frontline. I decided that instead of taking eight or so months to release a large book, I'd split the story into three acts and write a trilogy.

The book also takes elements of the early Spinward Fringe series (Resurrection / Awakening), and fuses them with the First Light Chronicles setting and character style. Two days pass in this book, the story pace is faster than ever, I find the dialog pops more in this book than in Frontline, and I get to tell this story from many angles and explore the experiences of characters that I think more readers will be able to relate to more easily.

There's also special attention paid to how certain characters react to what they may have gained or lost over the last few months (since page 1 of Spinward Fringe Resurrection), and I've made a great effort to keep the story from getting bogged down with constant flashbacks to moments we've seen before. Instead, I try to keep building a few characters by reviewing bits of their past and emotions in the present that I haven't had a chance to examine in detail.

I've also returned to a kind of story telling that had the tendency to evoke a lot more emotion from me. I wrote a new prologue for this book that nearly had me in tears. Normally I'd be patting myself on the back and hoping that all that emotion survives my edit, but in this case I was left wondering if I made everyone around me uncomfortable at the writing jam I was attending. [A writing jam is when a group of writers get together in a cafe or someone's home and spend time working together or on their own projects.]

There's one more thing I'd like to mention before I get back to work. Editing this book is fun. Editing Frontline was a bit of a chore at times because of its sheer size and the characters spent a lot of time in a setting I no longer enjoyed imagining because it was an awful place, I wouldn't want to find myself in the same situation that the characters are in for most of that book. Don't get me wrong, the setting was great for the story, I had just spent days imagining it already at that point.

So far, editing Spinward Fringe Fracture has been very rewarding. I'm finding a lot of places where I'm smoothing out some rough edges, which is normal, and a few places were I get sucked in by the scenes and the story so well that I forget to edit. It happened with Frontline as well, but only after the first edit was completed and I had to go back to the beginning for another pass.

If my editor and beta readers approve this edit when I'm finished, you can look forward to Spinward Fringe: Fracture at the end of August.

Gotta love being independent, this stuff happens fast!

RL

[Do you prefer shorter books and a release every 2-3 months or longer books and releases every 8-9 months? Please comment below!]

Announcing Spinward Fringe: Fracture

That's right. Spinward Fringe Rogue Element has become the Rogue Element Trilogy. The first book is called Response. In online stores the name will read: Spinward Fringe: Response.

Why, you ask? The answer is simple. The story quickly outgrew the confines of one book. I had to cut Rogue Element into three parts, otherwise I'd have a five hundred page novel that would take me nine months to write. Okay, maybe six, but I went through that with Frontline, and I'd rather deliver a two hundred page novel in three months instead of a four hundred page novel in six. There are a lot of readers who agree, and it fits the nature of Space Opera.

What's the book about? Well, without giving anything serious away, it's time for a distress call. It's a common story seed in Space Opera stories, and it's time for me to to it differently, to twist the whole concept of responding to a distress call into a nice big plot pretzel gone wrong.

I've taken a completely different approach to this book and I'm happy with how it's turned out so far. I wanted to write Rogue Element like a film, like I was the director looking to milk every moment for as much drama and action as possible while tossing some intrigue and character development in for good measure. I also wanted to recapture some of the excitement that made the First Light Chronicles worth reading.

What's the end result? The first part is in draft, and it feels like I've crammed a screenplay into a prose novel. It's exciting, the science is something I'm proud of, it's emotional, and I poured so much into this book that I had nothing left by the end. I feel like taking a decade off, like I don't know exactly what I have here, but I like it too much to judge and need a professional opinion.

I'm a very fortunate man. I have not one, but two qualified people ready to look this over for me. They'll tell me if there is something missing, or if it's too fast paced, or if I've given birth to a great big, creative turkey. As with anything I enjoy writing, I've lost all objectivity, and they'll tell me what I've done here.

All I know is that the first draft is complete, it was more fun to write than Spinward Fringe Frontline, that I'll be back at work on this draft starting my personal edit tomorrow, and that this book is called Spinward Fringe: Response, it's part one of the Rogue Element Trilogy.

There's something else. There are perfectly good chapters from past books (such as the completed, edited prologue from Spinward Fringe Frontline), that will never be used. Some of them read like shorts, so I'll be releasing one free after the last part of Dark Arts: Rising hits the web next week. There will also be preview chapters for Spinward Fringe: Response that, when put together, read like their own short story. They'll be released here on a weekly basis until the book is released.

I'm excited, my editor is excited, and my new proof reader is well chuffed as well. I'll tell you what their verdict is and how long you'll have to wait until the release as soon as I know.

RL

One more thing: The book is written so new inductees to the Spinward Fringe universe can start reading here. The preceding books will always be there for them, but they can start at this point if they like.